Egypt: Medinet Habu, A Feature Tour Egypt Story

Medinet Habu

By Marie Parsons

Medinet Habu

The ancient Egyptian name for Medinet Habu, in Arabic the "City of Habu" was Djamet, meaning "males and mothers." Its holy ground was believed to be where the Ogdoad, the four pairs of first primeval gods, were buried.

Medinet Habu was both a temple and a complex of temples dating from the New Kingdom. It adjoins the cultivation at the southern end of the Theban necropolis, opposite southern Luxor. The area was one of the earliest places within the Theban region to be associated with the worship of Amun. Hatshepsut and Tuthmosis III built a small temple to Amun on the site of an earlier structure. Next to their temple, Ramesses III built his mortuary temple, Medinet Habus most conspicuous standing monument.

Medinet Habu

Ramesses III then enclosed both structures within a massive mud-brick enclosure that included storehouses, workshops, administrative offices, and residences of priests and officials. On the grounds of the entire temple complex, however, are numerous other structures besides the small temple. There are the memorial chapels of the Divine Adoratrices of Amun. Less well preserved is the memorial temple of King Horemheb, which he usurped from his predecessor Ay, that stands on the north side of the Ramesses III enclosure. To its east are a number of tomb chapels made for high officials of the later new Kingdom.

Medinet Habu

The main temple is the great memorial temple of Ramesses III, the best preserved of all mortuary temples of Thebes. It is called the Mansion of Millions of Years of User-Maat-Re Meriamun, the throne name of Ramesses III, "United with Eternity in the Possession of Amun in Western Thebes." It contains more than 75,350 sq ft of decorated surfaces across its walls

The temple precinct measures about 700 feet by 1000 feet and was entered by two stone gates in the mud-brick enclosure wall on both the eastern and western sides. The western gate was destroyed when the temple was besieged during conflict in the reign of Ramesses XI. The eastern entrance was fronted by a quay, at which the boats that came in via the canals could moor. The processional way led first between two porters lodges that were set into a low stone rampart, built in front of the main enclosure wall, and then into the precinct.

Medinet Habu

The rampart itself was a large gateway of distinctive design modeled after a western Asiatic migdol or fortress. Fronted by guard-houses, the gateway sides are decorated with images of the king trampling enemies of Egypt, and sculpted figures of the monarch standing atop the heads of captives project from the walls. A large relief representation of the god Ptah was here, having the power to transmit the prayers of those unable to enter the temple to the great god Amun within.

The upper rooms of the gate-house functioned as a kind of royal retreat or harem, its walls graced with representations of the king relaxing with young women. Perhaps it was here that the attempted assassination of Ramesses III took place.

The temple itself is a slightly smaller copy of the Ramesseum built by Ramesses II. Its massive outer pylons are the most imposing of any temple in Egypt, and are decorated with colossal images of the king destroying captured enemies before the gods. The temples outer walls also depict important battle and victory scenes over the Libyans and Sea Peoples. These scenes are continued into the first court.

Medinet Habu

On the northern side of this court were large statues of the king as Osiris, and on the south a columned portico with the window of appearances in which the king stood or sat during formal ceremonies and festivities. The large statues of the second court were destroyed in the early Christian era when the area was converted into a church. Relief scenes here still in good condition depict rituals connected with the god Min, and on the rear wall of the portico, a procession of the kings numerous sons and daughters.

The second court is devoted to scenes of religious processions, notably those of Min and Sokar. Despite the generally good state of preservation of the temple, the Hypostyle Hall has suffered greatly, the columns being reduced to a small fraction of their original height. However, in the southwest corner is a treasury building with scenes depicting some of the temple equipment. The weighing of gold, depictions of sacks of gold, and precious stones also appear on the walls. Other temple valuables were probably kept in a better-concealed building immediately in front of the north wall of the sanctuary.

Off to the left of the second Hypostyle Hall is the funerary chamber of Ramesses III, with the god Thoth shown inscribing the kings name on the sacred tree of Heliopolis.

The focus of the main axis of the temple is the sanctuary of Amun. It was once finished in electrum with a doorway of gold and the doors themselves of copper inlaid with precious stones. Behind the sanctuary lies a false door for Amun-Ra united with eternity, namely, the divine form of Ramesses III.

On the southeastern side of the temple are the remains of a royal palace, which was probably much smaller than the kings main residence, serving as a spiritual palace as well as the occasional royal visits. It was originally decorated with glazed tiles, and its bathrooms were lined with limestone to protect the mud-brick. From the palace, the king could enter the first court, or peruse it from a window of appearances on its southern side.

To the right of the complex entrance stands the earliest section of the complex, the so-called "Small Temple", founded in the 18th Dynasty, and repeatedly expanded and usurped under later dynasties. It stood on one of the most sacred spots in all Egypt, the primeval hill which first rose out of the receding waters of Chaos. An inscription describes it as the burial place of the four primal pairs of gods.

The core of this temple was begun by Hatshepsut and Tuthmosis III, but her name was later replaced by those of Tuthmosis I and II. The structure was incorporated into Ramesses temple complex and eclipsed by the construction of the mortuary temple. Its entrance was later replaced by a pylon of the Nubian King Shabaka and then usurped by his nephew Taharqa. A small fronting gateway was built during the 26th Dynasty and usurped during the 29th by Nectanebo I. To the north of this Small Temple are the sacred lake and the so-called Nilometer, which is actually a well with a passage leading down to groundwater level.

Inside and to the left of the eastern gateway are a group of chapel-tombs belonging to the 25th and 26th Dynasties Gods Wives of Amun. They ruled Upper Egypt nominally at that time. On the lintels above the entrances to these chapels may still be seen the "Appeal to the Living", which encouraged passers-by to repeat the Offering Formula for the kas of these powerful women.

Because of its strong fortifications, Medinet Habu became a refuge in chaotic times. The workmen of Deir el-Medina moved there during the late 20th Dynasty, and the remains of the house of one Butehamun, a village scribe, can still be seen there at the western end.

During the Christian era, the entire area was covered by the Coptic town of Djeme and even the great temple itself was filled with dwellings and one court used as a church.


  • Oxford Encyclopedia of Ancient Egypt
  • From the Cultural Atlas of Ancient Egypt by John Baines and Jaromir Malek
  • From the Complete Temples of Ancient Egypt by Richard Wilkinson
  • From Dictionary of Ancient Egypt by Ian Shaw and Paul Nicholson

Last Updated: June 8th, 2011